|
Alicia Herrero
SoloProject -ARCO 2012 February/Febrero, 5 to 19/ 2012 Madrid - Spain Present /presentamos Auction-Instruments Box Multiple - Box with 10 graphic pieces/documents Múltiple - Caja con 10 piezas gráficas/documentos Performance: Wednesday/Miércoles 15, 3 pm to/a 8 pm Thursday/Jueves 15, 1.30 pm to 6.30 pm Saturday/Sábado18, 3.pm to/a 8. pm Performer Madrid: Estela Redondo Action-Instruments Box by Alicia Herrero - Performer Buenos Aires, Vera Carnevala Action-Instruments Box by Alicia Herrero, Solo Project Arco 2012 English ACTION-INSTRUMENTS BOX is a piece designed by Auctions Market & Money to intervene critically in the art market circuit. It gather an investigation on contemporary art sales that took placed at the onset of the global economic crisis (2008) in two major auction houses. It contains graphic pieces that conduct tests and activate the status of legal value. ACTION-INSTRUMENTS BOX is composed by 10 graphic pieces/documents: Auction Catalog Pages (second version), Posters, File Cards, Economic graphics, Instrumental, Journalistic article, Notarized documents, Instructions and Tutorials (DVD). YOU can collect and produce your own REVELATIONS and EVIDENCE by following the instructions included in the DVD. Español ACTION-INSTRUMENTS BOX es una pieza concebida por Auctions Market & Money para intervenir críticamente en los circuitos del mercado del arte. Reúne una investigación sobre las ventas de arte contemporáneo producidas durante el año del comienzo de la crisis económica global (2008) en dos de las principales casa de subastas. Incluye 10 piezas gráficas que ensayan y activan un status con valor legal. ACTION-INSTRUMENTS BOX esta compuesta por 10 piezas gráficas/documentos que se proponen como fe de erratas: Páginas de catálogos de subastas (segunda versión), Láminas, Fichas, Gráficos Económicos, Instrumental, Artículo periodístico, Documento notarial, Instructivo y un Tutorial (DVD). TÚ puedes coleccionar y producir tus propias REVELACIONES y EVIDENCIAS, siguiendo las instrucciones contenidas en el DVD. Mirta Demare Gallery Alicia Herrero ACT II - BANK: ART & ECONOMIES video (PUBLIC CONSIDERATIONS, A SYMPOSIUM IN THREE ACTS) Project since 2010 It’s the Political Economy, Stupid Art & Economies Austrian Cultural Forum New York January/April 2012 September 10 to November 15, 2011 El Viaje Revolucionario! (Revolutionary Travel), transdisciplinary project ongoing 2010, 8th Mercosul Biennial, Essays in Geopoetics, Porto Alegre 2011 www.bienalmercosul.art.br   Curated by José Roca  El Viaje Revolucionario! (Revolutionary Travel), transdisciplinary project ongoing 2010 8th Mercosul Biennial, Essays in Geopoetics, Porto Alegre 2011 Table with previous studios, mural painted on the wall, posters, postcards and billboard, 450 x 1200 x 400 cm Alicia Herrero’s projects generally involve experimentation with different media, including publications, meetings, installation, archives and video, and using the resources of conceptual art and language to investigate the limits of art and the contradictions of culture’s role in capitalism. Herrero constantly questions issues like the art economy, the relationship between art and the public, and the roles of the intellectual and the institution in the construction of knowledge. She develops her proposals through careful theoretical reflections which appear as theses in interacting with the viewers, participants or readers of her various projects. Herrero sometimes produces a hybrid of theatre, theoretical event and television programme, sometimes a series of actions in an auction room and employing a series of tools from communication and teaching, inviting participants to recognise the issues of the surrounding political, economic and social structures and participate in discussion or actions that lead to collective awareness of them. Herrero is showing a multidisciplinary project for the 8th Mercosul Biennial, consisting of a series of river journeys in South America . The artist considers this project as a “navigated novel”, in which the process of a river journey is equated with the process of writing. The project title is inspired by the legendary diaries of Ernesto Guevara, before he became “Che”, who traveled to several parts of South America, describing what Herrero calls, “the spirit of the uncertain and illusory nationalities of America .” During these voyages by boat, ferry or barge, Herrero invites a series of characters into the dialogue to share their reflections about local culture through different structures (or “conversational scenarios”), combining the structural rigour of the novel with the unpredictable elements of the rivers and discussions with members of the communities that appear on the way. Pablo Helguera Alicia Herrero has exhibited her works at Museum Boijmans van Beuningen, Rotterdam ; Shedhalle, Zurich ; Neue Gesellschaft für Bildende Kunst NGBK, Berlín; Van Abbemuseum, Eindhoven ; Modern Museum of Art MAMBA, Buenos Aires ; Modem Contemporary Art Center , Debrecen ; Proa Foundation, Buenos Aires . She has participated in the V La Habana Biennial, La Habana; IV Internationella Konstbiennal, Göteborgs; I The End of the World Biennial, Ushuaia; X Art Biennial of Bogota. She has received the Taller de Barracas Grant, Antorchas Fondation and the National Found of the Arts Grant, Buenos Aires, also has participated to the artists residence International Duende Studios and Kaus Australis, Rotterdam; Big River 2, Trinidad and the Be(com)ing Dutch- Caucus, Van Abbemuseum, Eindhoven. She has had solo shows at: Dispari & Dispari gallery, Reggio Emilia; Contemporary Art Museum, in Argentina at: MACRO, Rosario; Contemporary Art Museum of the Misiones National University, MACUNaM, Posadas; Recoleta Cultural Center, Buenos Aires; Luisa Pedrouzo gallery, Buenos Aires; Cultural Center of Spain, Buenos Aires; Mirta Demare Gallery, Rotterdam. Herrero develops several ongoing projects: Art & Capital series, Auctions Market & Money on art market themes; Magazine in Situ live events and online publication; the platforms LIPAC Laboratory of Investigation in Contemporary Artistic Practices at CCRRojas-Buenos Aires (AR) University (UBA); El Viaje Revolucionario! and Public Considerations, an Symposium in Three Acts, performative talk in several auditoriums of the city, video and publication. She offers workshops and conferences in several institutions such as Cittadellarte, Pistoletto Foundation and Spazio Gerra, Italy; Postgraduate in visual arts and contemporary, Scola Guignard –Minas Gerais State University-; Atelier 397, Sao Paulo, Brazil; among other organizations. Her works are held in several collections including the: Modern Museum of Art MAMBA, Buenos Aires; Latin American Museum, MALBA, Buenos Aires; Contemporary Art Museum, MACRO, Rosario; Mendes Contemporary Art Center, Rio de Janeiro; Wilfredo Lam Center, La Habana and several private collections. Recent and upcomming presentations and exhibitions of Alicia Herrero: It’s the Political Economy, Stupid Art & Economies – Public Consideration a Symposium in Three Acts january /2012 exhibition Austrian Cultural Forum New York Nuevas Adquisiciones Action-Instruments Box december /2011 exhibition MALBA-Museo de Arte Latinoamericano Buenos Aires Practical test. Projects of genuin artists to communicatie current art to the public october /2011 publication about Public Consideration a Symposium in Three Acts book series of the Schoeppinger Forum für Kunstvermittlung Germany Informe País El Viaje Revolucionario! november / 2011 exhibition GAM-Centro Cultural Gabriela Mistral Santiago - Chile Biennial of Porto Alegre El Viaje Revolucionario! september / 2011 exhibition Porto Alegre Brasil LiPac Platforms conference Program: Pós-graduação em artes plásticas e contemporaneidade Scola Guignard – Universidad do Estado de Minas Gerais - August 15 /2011 Organization: Capacete Belo Horizonte Brasil Art & Capital workshop at Atelié 397 August 9 /2011 Organization: Capacete Sao Paulo Brasil Capacete august/2011 artist residence Rio de Janeiro-Sao Paulo Brasil Art & Capital june 30/2011 workshop Biennial of Porto Alegre Brasil Public Consideration, a Symposium in Three Acts E.M.A.N.C.I.P.A.T.I.O.N. 21 june / 2011 performative-talk, publication and video Auditorum of National Parliament LiPac - CCRRojas Buenos Aires University Buenos Aires RECIBO Nª 88 may / 2011 publication of Auctions Market & Money project Sao Paulo Brasil x200mas The MasterPlan june/ 2011 exhibition Centro Cultural Recoleta Buenos Aires ArteBA Auction Market & Money may / 2011 Mirta Demare gallery exhibition Buenos Aires Documents For an Imperfect Future El Viaje Revolucionario! april / 2011 exhibition El Parqueadero, Bogota SOPHIA TABATADZE 18/1 - 22/2 From Flags to Flowers, solo show, Kunstverein Göttingen (DE) www. Kunstvereingottingen.de MARIA IKONOMOPOULOU 29/12 - 23/12 residency in Queretaro (MX)invited by the Universidad Autonoma de Queretaro for a 10 days visiting lectures at the Art departement KATARINA ZDJELAR 3/12 - 20/12 Perfect Sound solo exhibition at VIVID, Birmingham (UK) 20/12 - 1/3 Soft Manipulation or Who is afraid of the new now?, curated by Zoran Eric, Enrico Lunghi, Maria Lind, Casino Luxembourg (LU) www.casino-luxembourg.lu 17/12 public lecture at PAN Museum, as a part of Il Ventre di Napoli project, curated by Patricia Pulles RAIMOND CHAVES 26/11 - 28/11 CASA MODERNISTA/PARQUE MODERNISTA, Sao Paolo (BR) 8th SÃO PAULO BIENNIAL PRESENTS A SPECIAL 3 PART PROGRAM BY CINEMA CAPACETE: 'Loop, not cinema, neither video nor television' capacete@capacete.net www.28bienalsaopaulo.org.br/project-participant/cinema-capacete-1 SOPHIA TABATADZE 27/11 - 14/12 All My re-Collections, solo show at Künstlerhaus Bethanien, Berlin (DE) www.bethanien.de/kb/index/trans/de/page/news MARIA IKONOMOPOULOU 14/11 - 14/12 Growing Care, solo show, City Art Center - RECHTSACHTER, Rotterdam www.cbkrotterdam.nl www.yatzer.com/1340_growing_care_by_maria_ikonomopoulou KATARINA ZDJELAR 30/10 - 3/11 LOOP - The International Video Art Festival and Fair is participating in ART FORUM Berlin from October 30th until November 3rd in ART FORUM Berlin with a significant exhibit of video art works, selected by Sabrina Van der Ley within the works presented on the several editions of the Fair and 2 panel discussions related to the LOOP event, and video art. Katarina Zdjelar's video Don't do it wrong has been selected for this exhibition. SOPHIA TABATADZE 23/10 - 19/11 Aguhlas Negras collaborative project curated by Ellen Blumenstein and Carla Zaccagnini, São Paulo (BR) KATARINA ZDJELAR 24/10 ~ 11/11 Subjective Events, Sometimes Recorded, curated by Elena Sorokina, Art Laboratory Berlin, Berlin (DE) www.artlaboratory-berlin.org/ 3/10 Privremena Ženska Mjesna Zajednica ELEKTRA, Zagreb (HR) 18/10 ~ 22/11 Ellen de Brujine Projects, Amsterdam (Dolores space, solo show) www.edbprojects.nl/newsite
|